He made some references to Mexican revolution and tied the atmosphere of purgatory with tough life of Mexican people at that time; repeated violence, rape, crimes and the dictatorship of a cacique were predominant at that time. One person could decide the whole city’s fate, just like Pedro Paramo when he took vengeance on Comala citizens for accidently transforming his beloved one’s death into the celebration. He made a promise: “I will cross my arms, and Comala will die of hunger.” (p. 117) . The mixture of the mythical layer and Mexican realities, multiple references to the unjust political situation and brutality of the authorities portray a cyclicality of the events. The female part of Comala being constantly sexually abused by Paramos, the presence of patriarchal system, incest, degradation of women, violence and oppression towards powerless men are the representations of the rural Mexico. Rulfo highlights gender disparities and the way women are mistreated, such as Miguel abusing Ana, Pedro neglectance of any women except Susana, or even the Father Renteria’s disrespect towards Maria Dyada and Eduviges. In the grave Juan Preciado tells Dorotea that he had probably died from murmurs and from a cold that emanated from his own blood. The cold might be thought of as dark times of the desperate Mexico being ruled over by the dictators and the murmurs or the continuous voices may characterize the protest of the lower and working classes against feudal landowners. All of those elements of the twentieth century Mexican culture, which are present throughout the entire novel, do not add up to the action in the present, but rather repeat what had happened in the past. That is why the readers might feel the stagnation in a linear and sequential
He made some references to Mexican revolution and tied the atmosphere of purgatory with tough life of Mexican people at that time; repeated violence, rape, crimes and the dictatorship of a cacique were predominant at that time. One person could decide the whole city’s fate, just like Pedro Paramo when he took vengeance on Comala citizens for accidently transforming his beloved one’s death into the celebration. He made a promise: “I will cross my arms, and Comala will die of hunger.” (p. 117) . The mixture of the mythical layer and Mexican realities, multiple references to the unjust political situation and brutality of the authorities portray a cyclicality of the events. The female part of Comala being constantly sexually abused by Paramos, the presence of patriarchal system, incest, degradation of women, violence and oppression towards powerless men are the representations of the rural Mexico. Rulfo highlights gender disparities and the way women are mistreated, such as Miguel abusing Ana, Pedro neglectance of any women except Susana, or even the Father Renteria’s disrespect towards Maria Dyada and Eduviges. In the grave Juan Preciado tells Dorotea that he had probably died from murmurs and from a cold that emanated from his own blood. The cold might be thought of as dark times of the desperate Mexico being ruled over by the dictators and the murmurs or the continuous voices may characterize the protest of the lower and working classes against feudal landowners. All of those elements of the twentieth century Mexican culture, which are present throughout the entire novel, do not add up to the action in the present, but rather repeat what had happened in the past. That is why the readers might feel the stagnation in a linear and sequential