The fulfillment Hal achieves when his father dies points to that moment as climactic, and yet the moment when Hal rejects Falstaff effectively demonstrates Hal’s complete ‘noble change’ and concludes the relationship between Hal and Falstaff. This other father-son relationship in the play creates a different context in which to view Henry IV’s monologue. While Henry IV’s monologue expresses dread of the moment when his son takes the throne [(“O, thou wilt be a wilderness again, / Peopled with wolves, thy old inhabitants!” (4.5.139-140)], Falstaff looks forward to Hal’s kingship for his own advancement. Still, Falstaff has his own share of insults against Prince Hal, as in lines 197-198 in the fourth scene of the second act: “A good shallow young fellow, he would have made a good pantler; he would a’ chipped bread well.” The scene proceeds as Prince Hal confronts Falstaff about his life and the insults, to which Falstaff denies his words and the relationships starts the downhill path. Despite its importance in Part II, this relationship takes center stage in Henry IV, Part I, which leads to the question of how the monologue fits within the series of
The fulfillment Hal achieves when his father dies points to that moment as climactic, and yet the moment when Hal rejects Falstaff effectively demonstrates Hal’s complete ‘noble change’ and concludes the relationship between Hal and Falstaff. This other father-son relationship in the play creates a different context in which to view Henry IV’s monologue. While Henry IV’s monologue expresses dread of the moment when his son takes the throne [(“O, thou wilt be a wilderness again, / Peopled with wolves, thy old inhabitants!” (4.5.139-140)], Falstaff looks forward to Hal’s kingship for his own advancement. Still, Falstaff has his own share of insults against Prince Hal, as in lines 197-198 in the fourth scene of the second act: “A good shallow young fellow, he would have made a good pantler; he would a’ chipped bread well.” The scene proceeds as Prince Hal confronts Falstaff about his life and the insults, to which Falstaff denies his words and the relationships starts the downhill path. Despite its importance in Part II, this relationship takes center stage in Henry IV, Part I, which leads to the question of how the monologue fits within the series of