This interaction between the characters we see take place is elongated by the bell 's illustration of all possible linguistically determined story lines. If we cut out the bell completely, along with all of the language resulting in the multiple realities and kept only the desired and ultimately last outcome, the interaction we are left with is a very short and sweet one. The bell seems to have a consciousness of where we need to end up to have this play resolve. It also exhibits a consciousness over the character 's use of words beyond the character 's own awareness. Linguistic determinism isn 't something than can be wielded for one 's own personal gain because it differs so much based on who and what we interact with. Rather, it is something that happens to us. The bell works beyond the control of the
This interaction between the characters we see take place is elongated by the bell 's illustration of all possible linguistically determined story lines. If we cut out the bell completely, along with all of the language resulting in the multiple realities and kept only the desired and ultimately last outcome, the interaction we are left with is a very short and sweet one. The bell seems to have a consciousness of where we need to end up to have this play resolve. It also exhibits a consciousness over the character 's use of words beyond the character 's own awareness. Linguistic determinism isn 't something than can be wielded for one 's own personal gain because it differs so much based on who and what we interact with. Rather, it is something that happens to us. The bell works beyond the control of the