By doing this, viewers are able to feel the pain and anticipation that Olaf and Inge do. One scene in particular displays how personal character dialogue is used to demote and publicly humility the love that the two characters begin to develop for each other. The minister openly tells his congregation, “Those who are from outside, God judges” (Sweet Land). Heads turn in every direction towards poor Inge as she stands silently and leaves the church. Selim adds this scene and puts those words into Sorrensen’s mouth to emphasize the power that religion in that time period holds over members of the
By doing this, viewers are able to feel the pain and anticipation that Olaf and Inge do. One scene in particular displays how personal character dialogue is used to demote and publicly humility the love that the two characters begin to develop for each other. The minister openly tells his congregation, “Those who are from outside, God judges” (Sweet Land). Heads turn in every direction towards poor Inge as she stands silently and leaves the church. Selim adds this scene and puts those words into Sorrensen’s mouth to emphasize the power that religion in that time period holds over members of the