The last shot is a long static shot showing Georges’ sons school, it is the end of the school day and parents are collecting their children. The camera is placed just as the surveillance camera was throughout the film, as if the anonymous person is now filming or watching Georges son, Pierrot. At this point we now begin to believe that it was Majid’s son who was filming/watching and sending the tapes, until Pierrot is met by Majids son on camera. This is where Haneke wanted the audience to realise that it does not matter who the anonymous person was, and that is why he remained anonymous and was never revealed, the point is Georges’ past is haunting his present, and he tries to repress it. The point was not to know who was “stalking” him, as Haneke said “if you come out wanting to know who sent the tapes, you didn’t understand the
The last shot is a long static shot showing Georges’ sons school, it is the end of the school day and parents are collecting their children. The camera is placed just as the surveillance camera was throughout the film, as if the anonymous person is now filming or watching Georges son, Pierrot. At this point we now begin to believe that it was Majid’s son who was filming/watching and sending the tapes, until Pierrot is met by Majids son on camera. This is where Haneke wanted the audience to realise that it does not matter who the anonymous person was, and that is why he remained anonymous and was never revealed, the point is Georges’ past is haunting his present, and he tries to repress it. The point was not to know who was “stalking” him, as Haneke said “if you come out wanting to know who sent the tapes, you didn’t understand the