In Kiarostami’s masterpiece “Taste of Cherry”, the film follows Mr.Badii, a man searching for someone to bury him after he commits suicide. He encounters three men, two of which decline because of personal and religious reasons. However, the third man, a taxidermist, agrees to the task because he needs the money to take care of his sick child. The taxidermist still tries to persuade Mr.Badii that suicide is not the answer, he even shares his own story of contemplating suicide and how the taste of a mulberry changed his mind. Kiarostami displays one of his signature stylistic features of recording inside the car, often offering only one perspective. This combined with the “long shots” of their vehicle traveling throughout landscape and the
