What Is Eros Figure In Greek Art

Improved Essays
This work of art was named as Sidamara Type Sarcophagus. It is at the Istanbul Archaeological Museums. In the section of Roman Period Works Sidamara Type Sarcophagus can be found with other sarcophaguses and grave steels. It is made from marble as other sarcophaguses in that period. The period is Roman Period and 2. century A.D. . The period can be seen from sculptures which placed to sarcophagus and also from columns too. Order of columns is ionic order . Roman architects determined the shape, proportion and decoration according to different orders. In that sarcophagus, from capital part of the columns the order can determine. Also arches were used in Roman architecture in that period. Arches can be seen in this sarcophagus which reflect …show more content…
Eros looks like in natural human form when he is standing. Also drapery can be analyzed too. Roman sculptors used drapery to create a movement sense and to add a realistic view to sculpture. Except Eros figure all the figures wear drapery. It gives a movement sense, especially in the figure with horse is a good example to that. When sculptures analyized in aspect of composition; Eros figure is in the middle, it shows that Eros is important. Yet at the top of sarcophagus there are lying sculptures. These people are probably who has the sarcophagus. So, they are most important figures. There are Eros figures in that sarcophagus at the top and also in the main side. This was made to reflect the divinity of people who has this sarcophagus. Also there is a hunt scene in the side area of sarcophagus. It can be used to represent the power of people who will be in this sarcophagus. When these work of art is examined in aspect of iconoclasm, it can be seen Eros figures at the top have no head. It can be done in purpose to break the iconic figures. Also in the two main side some figures have no face. They can be political figures so in aspect of iconoclasm they can be destroyed in purpose

Related Documents

  • Improved Essays

    Torso of Dionysos or Apollo is a freestanding marble sculpture depicting a nude male god and is currently on display at the Ackland Art Museum. An unidentified artist sculpted the work during the Roman Imperial period in the 2nd century CE, evoking a 4th century BCE Greek style. True to its name, Torso of Dionysos or Apollo is only a fragment of the original sculpture that depicted either Dionysos or Apollo. However, the work lacks enough distinguishing characteristics to accurately determine which of these gods the artwork represents. Only the sculpture’s torso remains, with the body being severed below the biceps and at mid-thigh.…

    • 1090 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Hygieia Greek Goddess

    • 667 Words
    • 3 Pages

    Hygieia, is designed with a marble exterior, making the statue seem as it is of Greek origin however this statue has an origin dating back to Roman times, during 200-250 A.D. Hygieia is the daughter of Asklepios, the god of medicine; a personification of good health, she was typically portrayed feeding a coiled snake, a reference to the serpent-entwined rod wielded by her father that later came to symbolize the healing arts. Her cultural image often merged with other deities, such as Aphrodite the goddess of love. One of the many merged qualities that Hygieia shares is her knotted bow hairstyle. At Hygieia’s side, the sleeping figure of Eros alludes to the healing ritual of sleeping in the sanctuary of Asklepios. Her precise identity is uncertain because the figure displays elements connected with more than one deity.…

    • 667 Words
    • 3 Pages
    Improved Essays
  • Decent Essays

    The “Victory Stele of Naram-Sim” depicts an iconic victory for the Akkadians over the Lullubi. The scene in this photo looks like the triumph celebrations of a military victory, with Naram Sim towering his counterparts almost at the peak of the mountain. Furthermore, this photo demonstrates the honor and admiration the Akkadians have for their warriors and Naram-Sim. The second sculpture depicts a ceremony for Darius the Great and Xerxes.…

    • 229 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    The Sarcophagus of the Spouses “conveys a great deal of information about Etruscan culture and its customs” (Khan Academy) and further demonstrates the funerary customs of Etruscan society. In conclusion and in the opinion of the author, this piece is an excellent representation of the unique characteristics that are identifiably Etruscan in nature, providing in depth knowledge about Etruscan customs, funerary beliefs, and the community that built the foundations of the Roman…

    • 786 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Etruscan Terracotta

    • 600 Words
    • 3 Pages

    Greece or Rome, high society Etruscan ladies effectively partook in broad daylight life—going to meals, riding in carriages and being observers at (and members) out in the open occasions. Impressions of such opportunities are found all through Etruscan Art; pictures of ladies occupied with these exercises show up oftentimes in painting and in sculptures. Banquet Plaque (detail) from Poggio Civitate, early 6th century B.C.E., Etruscan, terracotta (Antiquarium di Poggio Civitate Museo Archeologico, Murlo, Italy) (photo: sailko, CC BY-SA 3.0) On account of the sarcophagus it is likewise essential to note that at Etruscan dinners, men and ladies leaned back and ate together, a situation that was entirely unique in relation to other Mediterranean societies, particularly the Greeks.…

    • 600 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The sculpture produced in ancient Greece is naturalistic compared to artworks and sculptures from previous times and cultures. The form of body is not stylized, nor does the bends in its arms and legs have sharp edges, the body is actually smooth and natural looking. The figure also has normal sized eyes and not enlarged eyes and male breast. The figure is in contrapposto pose like many of the other figures from this ancient Greek period.…

    • 673 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    Each dynasty did consist of their own stylized way for creating these chimeras. It is presumed that the significance of these figurines “…not only enhance the dignity of the tomb and served to glorify the memory of the dreaded but also would protect the corpse against evil spirits and prevent any violation of the tomb” (Till, 1980, p. 262). MORE. Similarly, the Ancient Egyptians worshiped Gods won of which many were represented by the anatomy of man and animal or a combination of shape shifting forms.…

    • 1051 Words
    • 4 Pages
    Superior Essays
  • Improved Essays

    The artistic iconography revolves around the traditions of a hero. Heroic characters unlike their non-hero counterparts are recognizable, they hold a specific characterization that symbolize their own unique stories. Acquired trophies or distinct physical features makes the hero’s appearance. In art heroes usually have a more distinct masculine physique and carry weapons or wear clothes that intertwine with their story. Their appearance has a great effect on how these heroes are interpreted.…

    • 907 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The second sculpture is to be compared and contrasted with is the Mask of Agamemnon. Both being the same type of artwork could have been made in different techniques, have different stories, and many more. While the two sculptures may look boring and emotionless, the Head of an Akkadian Ruler shows the strength and leadership that Sargon once had, and the Funerary Mask of ‘Agamemnon’ displays how the people of Mycenae…

    • 1051 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The Mausoleum was one of Augustus’ first buildings that he built after he won the battle of Actium in 31BC. The mausoleum was very grand it stood around 40 metres high and its diameter was nearly 90 metres. At the entrance to the Mausoleum there were pillars with the Rae Gestae (his autobiography) engraved on it. The front door to the Mausoleum was made of bronze and two Egyptian obelisks were made of granite and were placed on either side of the arched doorway. The entire monument was made of concrete and limestone which were very expensive materials to use back in the ancient Roman times.…

    • 1663 Words
    • 7 Pages
    Improved Essays
  • Great Essays

    The Etruscans are thought to have used arches and vaults in their later architecture. (Columbia Electronic Encyclopedia, 2009, 6Th edition, p1-2, 2p) The sequence of buildings in Rome shows how the Romans developed their own building styles, based on the Estrsucan and the Greek method. The styles combined columns, arches, and vaults. They were long, think bricks of clay which would be made to a standard size that gave more of a characteristic appearance to the city.…

    • 1547 Words
    • 7 Pages
    • 4 Works Cited
    Great Essays
  • Improved Essays

    At first glance, the Hercules and the Hydra sculpture is easy to pass by. Located in the outside sculpture garden it stands on a slightly elevated bronze platform, which stands on a bigger, more elevated concrete pedestal that also rests on a larger concrete pedestal that has four embedded lights, each on one corner. The viewing area is large and allows for the audience to view the sculpture up close and far, while still being able circumambulate around the statue at a variety of distances. Because of the vastness of the space around the sculpture, at first glance from the walkway, the sculpture does not seem to be a big piece. However, the closer the proximity towards the sculpture, the bigger the piece seems to get, appearing as if Hercules…

    • 2314 Words
    • 10 Pages
    Improved Essays
  • Great Essays

    Justinian the Conqueror (aka The Emperor Triumphant, Barberini Ivory) is thought to have been created in Constantinople (Byzantine) in the early 6th century. The artist is unknown. It is a diptych panel in five parts. The pieces’ dimensions are: 32.4 cm by 26.8 cm by 2.8 cm deep.…

    • 1602 Words
    • 6 Pages
    Great Essays
  • Superior Essays

    Sarcophagus Analysis

    • 1058 Words
    • 5 Pages

    The curvy contoured figures show a sense of natural movement that allows the three-dimensional aspects to overlap. The scale and proportion of the subjects allows little room for the thick border that outlines the sarcophagus. The contrasting depth and linear lines that define the figures allow for natural transition of the appearance of different varies of colors. The Sarcophagus with the Myth of Dionysos and Ariadne is a perfect example of Roman Art from the 3rd through the 5th centuries. Iconography is the study of symbolic subject matter in art and is where the imagery gains layers of meaning over time (Stokstad & Cothren, 2014).…

    • 1058 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    “The difference no longer rests on the attributes held by the statue” (Ridgway 1970). This means that physical appearance is not the only feature regarded in order to distinguish a sculpture. Due to an increase in characterization, sculptures have the potential to portray personality and narrative. For example, a sculpture of a god/goddess can be recognized by a certain grandeur or action, along with its physical attributions. Presenting sculptures in narrative have become an important characteristic in Ancient Greek art.…

    • 1773 Words
    • 8 Pages
    Improved Essays