“Leaves of Grass” (1855) is in many ways the extensive celebration of a large, democratic self that corresponds with the vastness of the American continent. However, Whitman’s evocative choice of title relates his book to nature by way of a distinctly small life form: a “spear of grass” (“Song of Myself” line 5), a powerful reminder that his poetry, for all its continental aspirations, was centrally concerned with nature’s minutest aspects. The poet was focused on nature’s connection with the particular consciousness of all human beings, employing the smallest natural phenomena as reflections of the cosmic human self. This establishes the interconnection of the body and the soul through the “kosmos” (“Song of Myself” line 498), which Whitman describes as a concept that “includes all, the whole universe” (Reynolds 246). By establishing the
“Leaves of Grass” (1855) is in many ways the extensive celebration of a large, democratic self that corresponds with the vastness of the American continent. However, Whitman’s evocative choice of title relates his book to nature by way of a distinctly small life form: a “spear of grass” (“Song of Myself” line 5), a powerful reminder that his poetry, for all its continental aspirations, was centrally concerned with nature’s minutest aspects. The poet was focused on nature’s connection with the particular consciousness of all human beings, employing the smallest natural phenomena as reflections of the cosmic human self. This establishes the interconnection of the body and the soul through the “kosmos” (“Song of Myself” line 498), which Whitman describes as a concept that “includes all, the whole universe” (Reynolds 246). By establishing the