In most of the picture he uses a lot of black and white but uses the bright red as the blood to catch the eye. Dr.Gross is not in the same color sute that all the other people in the room are in, making him different and making him stand out in the room with the others. The hair of Dr.Gross that he has is white and bright in the light unlike the people in the room .The lines in the picture are actual and are very persice. There is light present in the picture it as no sorce it dosent give off any shadow off any of the people. The light shines of the heads of the people that are doing the surgery and is shines of the forhead of Dr.Gross making him look exaggerated. The affects of depth is shown in the picture in the background. The farther you go back in the picture the people get more blurry and are starting to disappear into the darkness. At the front the people are very graphic and have very good detail in their faces and in the thing they have on. In the tunnal the people are very blurry and are just like the people that are up in the seats. When Eakins was painting the picture you can dee all of the strokes that he took. The brushstrokes are very precise. The painting is actual and it makes the secan of the painting even darker then it
In most of the picture he uses a lot of black and white but uses the bright red as the blood to catch the eye. Dr.Gross is not in the same color sute that all the other people in the room are in, making him different and making him stand out in the room with the others. The hair of Dr.Gross that he has is white and bright in the light unlike the people in the room .The lines in the picture are actual and are very persice. There is light present in the picture it as no sorce it dosent give off any shadow off any of the people. The light shines of the heads of the people that are doing the surgery and is shines of the forhead of Dr.Gross making him look exaggerated. The affects of depth is shown in the picture in the background. The farther you go back in the picture the people get more blurry and are starting to disappear into the darkness. At the front the people are very graphic and have very good detail in their faces and in the thing they have on. In the tunnal the people are very blurry and are just like the people that are up in the seats. When Eakins was painting the picture you can dee all of the strokes that he took. The brushstrokes are very precise. The painting is actual and it makes the secan of the painting even darker then it