Olivia does not want to be in love and hints that she is scared of that emotional state. Yet she cannot help but be attracted to Viola/Cesario’s androgynous features regardless of her behavior. As the play progresses, Olivia becomes so desperate for Viola’s affections that she twists Viola’s biting retorts into terms of endearment. After Olivia gives a speech asking Viola/Cesario about what she thinks of her, Viola responds with an “I pity you” (3.1.124). Olivia, unwilling to let go of her love for Cesario, says “That’s a degree to love” (3.1.125). Viola/Cesario’s allure is so strong that Olivia, who prior to meeting Cesario, was a stubborn and proud woman, becomes a woman eager for Cesario’s love. In the same scene, Olivia proclaims that “[she] love[s] thee so that, maugre all thy pride / Nor wit nor reason can my passion hide” (3.1. 153-154). She attests that her love for Cesario triumphs over her pride and ration with these lines. Olivia is too much attracted to Viola/Cesario’s
Olivia does not want to be in love and hints that she is scared of that emotional state. Yet she cannot help but be attracted to Viola/Cesario’s androgynous features regardless of her behavior. As the play progresses, Olivia becomes so desperate for Viola’s affections that she twists Viola’s biting retorts into terms of endearment. After Olivia gives a speech asking Viola/Cesario about what she thinks of her, Viola responds with an “I pity you” (3.1.124). Olivia, unwilling to let go of her love for Cesario, says “That’s a degree to love” (3.1.125). Viola/Cesario’s allure is so strong that Olivia, who prior to meeting Cesario, was a stubborn and proud woman, becomes a woman eager for Cesario’s love. In the same scene, Olivia proclaims that “[she] love[s] thee so that, maugre all thy pride / Nor wit nor reason can my passion hide” (3.1. 153-154). She attests that her love for Cesario triumphs over her pride and ration with these lines. Olivia is too much attracted to Viola/Cesario’s