It is a story about feminism, exploring what difficulties women went through and how they were pressured into accepting their given roles as housewives and nothing more. Gilman describes what the role of women was seen as and how they were expected to always do as they were told and become blindly submissive to their husbands, not being allowed to think for themselves. At the beginning, a young, nameless, woman is portrayed entering early stages of insanity after giving birth to her first child. Her husband, John takes her on a ‘rest cure’ to help her recover in a colonial mansion. She is taken to a room which used to be a nursery. It is severely damaged, though the cause of this is unknown. The narrator dedicates many journal entries describing the yellow wallpaper in the room. Eventually, she says that the more one stays in the room, the more the wallpaper seems to mutate. She sees the wallpaper as a “woman creeping on all fours behind the pattern” and begins to rip off the wallpaper to ‘free’ the woman that she believes is stuck. The creeping woman who is stuck behind the wallpaper is most likely a representation of victimisation and resistance to societal
It is a story about feminism, exploring what difficulties women went through and how they were pressured into accepting their given roles as housewives and nothing more. Gilman describes what the role of women was seen as and how they were expected to always do as they were told and become blindly submissive to their husbands, not being allowed to think for themselves. At the beginning, a young, nameless, woman is portrayed entering early stages of insanity after giving birth to her first child. Her husband, John takes her on a ‘rest cure’ to help her recover in a colonial mansion. She is taken to a room which used to be a nursery. It is severely damaged, though the cause of this is unknown. The narrator dedicates many journal entries describing the yellow wallpaper in the room. Eventually, she says that the more one stays in the room, the more the wallpaper seems to mutate. She sees the wallpaper as a “woman creeping on all fours behind the pattern” and begins to rip off the wallpaper to ‘free’ the woman that she believes is stuck. The creeping woman who is stuck behind the wallpaper is most likely a representation of victimisation and resistance to societal