Venice Italy Research Paper

Improved Essays
Venice, Italy is a destination everyone deserves to visit in their lifetime. Rich in culture, history and a variety of art it’s definitely a place to go. The history of Venice includes many different things. First there is “The Plague” which was a huge problem in Venice during the Middle Ages. It struck not only Venice but also countries around Europe and also in China. When it was most deadly during the medieval time period and many knew it as “The Black Death.” The Plague was a disease that was transmitted by rats or small animals and sometimes even dirty bathrooms. What happened in Venice was mostly from rats and mice that would creep into people’s homes and infect them. The Venetians had to of had some way to prevent The Plague or at least slow it down. Venice during that time had lots of stray cats roaming the area. If you go to Venice you will see lots of big wells in the middle of squares and small areas and those wells have little cat bowls. The little cat bowls at the bottom of wells would help keep the cats alive and catch the disease infested rodents.(Pitarelli) When Venetians would come out everyday to …show more content…
The most authentic masks can only be found in certain places of Venice. When you find an authentic mask shop, mark down where you found it because later when you want to find it, it will be much easier to do. The Venetian masks are usually made out of papier mache and the Venetians love the decorations. They vary in shapes and sizes and decorations. Many famous masks resemble animals such as cats, dogs and some even resemble a plague doctor. Masks are regularly worn during big events such as Carnival, New Year’s and other big events. Mask makers are called mascherari. There are two types of masks: Jolly and Bauta. Jolly masks usually have more decorations and flourishings. They also come in many more colors. Bauta masks are more regal and have a specific style, they are mainly only worn at masquerade

Related Documents

  • Improved Essays

    The Venetian Ghetto was the range of Venice in which Jews were constrained to live under the Venetian Republic. The Venetian Republic was a state starting from the lagoon groups in the region of Venice, which is now northeastern Italy. The Venetian Ghetto was initiated on March 29th 1516, however political limitations on Jewish rights and living arrangements existed prior to this date As of right now there are preparations taking place for the 500th year anniversary of the Italian’s Venetian Ghetto. In the beginning of the 13th Century mistreated Jews from Europe and Levant had begun settling in Venice. The term ghetto is derived from the word “geti” which was where all of the Jews were forced to live in separation from the rest of Italy.…

    • 127 Words
    • 1 Pages
    Improved Essays
  • Improved Essays

    Gambling addictions became a problem for many Venetians. Venice was a multicultural environment through trade with many places like Persia, China, and Turkey. This is reflected in their cloth, rugs, furniture and art. Venice had a type of democracy with an elected leader called the Doge. Marco Barbarigo was the Doge from 1485 to 1486 when he was killed.…

    • 726 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    In October of 1347, several Italian ships returned from a trip to the Black Sea, one of the key routes in trade with China. Europe was having very pleasant centuries for…

    • 1337 Words
    • 6 Pages
    Improved Essays
  • Decent Essays

    Carpaccio’s The Lion of Saint Mark: An Example of Venetian Expansionist Propaganda Vittore Carpaccio completed his now iconic painting The Lion of Saint Mark in 1516, a perilous time for Venetian imperial power as foreign nations fought back against the Republic's expansionist policies. While the painting was originally commissioned to be placed within the Venetian Treasury near the Rialto, Carpaccio's work was later moved to the Ducal Palace, where it remains today (Willis 47). During this era of Venetian history, the Ducal Palace not only served as the location of the highest seat of power within the city, but also as a central hub for propaganda and the crafting of a Venetian nationalistic narrative. Joanne Ferraro in her book Venice: The…

    • 238 Words
    • 1 Pages
    Decent Essays
  • Decent Essays

    France, the country known for its art, love, and food. France has a broad history filled with war and peace. Since France is such a big country with much history, this essay will mainly focus on one city. The city is known as The City of Lights. If you cannot tell already, this essay will be about Paris, France.…

    • 310 Words
    • 2 Pages
    Decent Essays
  • Improved Essays

    Wearing a venetian carnival mask is a tradition for Italy. They would also wear it for other things and parties as well. They wore it to high their identities and their status. So people dont know who they are or even what they look llike. This had been a tradition for 7 years.…

    • 464 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    The mask is “life-size”. 2. As I study the picture, I notice how the green color varies and I can see a lot of white and natural earth colors, like brown. I also see that the nose of the mask sticks out unnaturally quite a bit. Specifically above where the eyebrows would be, a portion of the upper nose bridge is clearly raised artificially to make his nose appear much longer.…

    • 793 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    In the 15th century Venice was a wealthy city and the center of trade and art in Europe. Gentile Bellini was a 15th century Venetian painter well known for his portraits and large-scale paintings of contemporary Venice. This paper examines Gentile and his depiction of not only the miracle in the piece Miracle of the True Cross at the Bridge of San Lorenzo, but of contemporary Venetian society. The artist was born in 1429 and was from a family of influential leading painters of Venice including his father Jacopo Bellini, his younger brother Giovanni Bellini, and his brother-in-law Andrea Mantegna.…

    • 758 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    There are many different types of Venetian masks. But most importantly these masks were originated as a tradition in Venice,Italy. These masks are mostly seen being worn at the Carnival of Venice, but have also been seen worn at many other occasions. Most of the Venetian masks were made to protect their wearer's identity. The Venetian masks have many different types such as bauta, columbina, medico delta peste, moretta/servetta muta, Volta, Pantalone, Arlecchino, Zanni, and many more.…

    • 220 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    Early Venetian masks were very simple, and after Venice Carnival was abolished for nearly two centuries, served a very practical purpose. Women were not allowed to go to the theater without wearing a bauta to cover their faces. Nowadays, Venetian masks are a much more elaborate affair. They are made with the application of gesso, a white paint…

    • 351 Words
    • 2 Pages
    Improved Essays
  • Great Essays

    The Harlem Renaissance

    • 1866 Words
    • 8 Pages

    Venice was a diverse metropolis for its day and age full of powerful families and merchants desperately searching to make their mark. The social hierarchy, education systems, and charitable institutions were grounded in the humanism of the renaissance. While Venice was a political example for the rest of Italy in democratic style, nobility who clung to their aristocratic roots, created a diverse and integrated community, who clung to their religious morals in dealings with their community. The city on the sea was a thriving port of commerce and commercialism and provided a magnet for immigrants and sailors to import and sell their products and find protection. The Venetian rise to glory began with the foundations of the city.…

    • 1866 Words
    • 8 Pages
    Great Essays
  • Improved Essays

    The Venetian Masks are an old traditional mask of the city Venice in Italy. These types of masks were usually worn during carnivals and other times they were used to hide someone’s identity or social status. They let people be free and interact with people out of their normal social world. Some other purposes they were used for were for criminal purposes and others used them for a romantic encounter but sometimes the reasons were unknown. These masks have a unique design that contains ornate design, very bright colors and along with other complex decoration that contains richness, drama and movement.…

    • 561 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    To decorate, I will use different colors of paint, mainly red, white, and black. I would draw what I’m going to paint with a pencil before I begin to make sure I follow my design. I plan to paint the left side of the mask with red paint and small parts of both sides would be painted with black and yellow paint. On the right side, I would put details with yellow paint to have both sides look different. Final product of my mask will be put to dry and I would attach a string behind the mask to make it…

    • 440 Words
    • 2 Pages
    Improved Essays
  • Superior Essays

    Only the Pharaoh was able to wear this Mask, it was designed and made especially for him to wear, with a royal head cloth called the “nemes”. Another famous piece of work done by the Egyptians was “The Palette of Narmer”, The Palette of Narmer is decorated on the front and back with low relief…

    • 1286 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    Byron uses the image of the gondola as a synecdoche for the city of Venice. No other symbol fully encapsulates the fluidity and restlessness of the city, nor the pervasive intermixing of life and death that characterises Venice so fully. This is particularly true of Beppo, in which the gondola functions as a demonstration of the thin boundaries between the two seemingly antithetical states of life and death in Venice. The connection between the gondola and Venice is established in the opening paratext of the poem: the combination of the subtitle, A Venetian Story, and the Shakespearean epigraph with its emphasis on the gondola as an indicator of Venetian identity, reinforces our sense of the two being interchangeable in Byron’s own narrative. In the poem itself, Byron’s description of the gondola breaks away from the inheritance of Shakespeare’s fictional Venice: Didst ever see a gondola?…

    • 1477 Words
    • 6 Pages
    Improved Essays

Related Topics