His frustration towards his fated identity causes a rejection of his self-restraint, in turn, emphasises the paradox in his “[determination] to prove a villain”. In the conclusion of the War or Roses, Richard’s lost identity as a warrior perpetuates his challenge to God and pursuit of power, challenging the Divine Right of Kings. Comparatively the social ideal of the Great American Dream cause Pacino to reshape the perceptions towards Richard due to a shift in the values of aspiration. The increased complexity in Richard’s character in Looking for Richard is representative of modern society’s villains possessing inner conflict as illustrated in the high angle mid shot of Richard holding Edward in the Cloisters in the opening soliloquy. The turmoil Richard possess in his contemplation of Edward’s incoming death evokes sympathy within the audience as Richard has demonstrated human characteristics of conflict and thus restraint, however this is discarded as his desire for power increases. The turmoil is similarly present by Shakespeare in the rhetorical question “O coward
His frustration towards his fated identity causes a rejection of his self-restraint, in turn, emphasises the paradox in his “[determination] to prove a villain”. In the conclusion of the War or Roses, Richard’s lost identity as a warrior perpetuates his challenge to God and pursuit of power, challenging the Divine Right of Kings. Comparatively the social ideal of the Great American Dream cause Pacino to reshape the perceptions towards Richard due to a shift in the values of aspiration. The increased complexity in Richard’s character in Looking for Richard is representative of modern society’s villains possessing inner conflict as illustrated in the high angle mid shot of Richard holding Edward in the Cloisters in the opening soliloquy. The turmoil Richard possess in his contemplation of Edward’s incoming death evokes sympathy within the audience as Richard has demonstrated human characteristics of conflict and thus restraint, however this is discarded as his desire for power increases. The turmoil is similarly present by Shakespeare in the rhetorical question “O coward