Coming Of Sound In Horror Films Essay

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In tandem with the music, sound effects hold a great responsibility on how film may be perceived. The change of tempo, volume and pitch may in addition indicate that the filmmaker wants to respond to these particular sounds. Illustrating an example, low pitched sounds including creaky floorboards and squeaky doors can generate a sense of mystique and uncertainty. Whereas high pitched sounds, for instance the screeching of tires or loud screams, contribute to create a sense of concern and anxiety.

Sound effects are incorporated into film to heighten the audience’s experience, creating footage into something more theatrical and compelling. This adds a three-dimensional aspect to ones experience.
However one could consider the most compelling
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Spadoni makes an observation regarding sound and understanding the use of audio is very crucial to the genre of horror and “is not the same thing as identifying the major influence of the coming of sound on the genre's initial formulation. This influence has been missed perhaps because it reveals more in the way the first sound horror films look than in the way they sound”[].

Incorporating music into film has become so common place that it is now seen as normal and expected, even more noticeable and unusual when music hasn’t been integrated in a scene. This could be seen as an example of film influencing art when looking at Gregor Schneider’s installation “Die Famille Schneider”. In reality, life isn’t accompanied by any music or sound effects, which is what makes Schneiders’ piece an interesting experience for the participant. This factor allows the participant to emerge themselves into the piece, not experiencing it as an installation but as real life. This is where one interprets imagination into reality. It could be said that Schneider’s piece corresponds with scenes shown in horrors, walking down dark hallways with the walls , the colour or

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