Capote does this to coppensate for his past as a lonely outcast. Capote was troubled by divorce and was lonely due to his voice and his love for the opposite sex. Capote is seen disccussing about a gay novel Giovanni’s room, what he states is very racist towards and discrimate towards gays. Capote also develops a more emotional appeal towards one of the criminals, Perry Smith. Capote devlops a strong relationship towards Perry as Capote vists him many times before his execution. When asks if Capote is in love with Perry Smith by Harpor Lee, Capote avoids the question. As the movie progresses there is a scene when Perry get an appeal, but Capote doesn’t care for appeal and just the Perry to tell what happened during the night of the killings, and in a sinister way Capote is depicted as wanting the criminals executed in order to complete his novel. The directors intent of showing this scene was to depict that Capote is self concited, that all Capote ever cared about was his
Capote does this to coppensate for his past as a lonely outcast. Capote was troubled by divorce and was lonely due to his voice and his love for the opposite sex. Capote is seen disccussing about a gay novel Giovanni’s room, what he states is very racist towards and discrimate towards gays. Capote also develops a more emotional appeal towards one of the criminals, Perry Smith. Capote devlops a strong relationship towards Perry as Capote vists him many times before his execution. When asks if Capote is in love with Perry Smith by Harpor Lee, Capote avoids the question. As the movie progresses there is a scene when Perry get an appeal, but Capote doesn’t care for appeal and just the Perry to tell what happened during the night of the killings, and in a sinister way Capote is depicted as wanting the criminals executed in order to complete his novel. The directors intent of showing this scene was to depict that Capote is self concited, that all Capote ever cared about was his