Hencinski, a Tenor, sang En priere. Hencinski was a little too quiet while performing. The fifth performance was by Kimberly Pickler, who performed Vaga Luna by Vincenzo Bellini. Pickler, a Soprano, sang Vaga Luna. Pickler had good vowels while singing. The sixth performance was by Isabelle Schrack, who performed Hear Ye, Israel by Felix Mendelssohn. Schrack had a jumbled voice while she performed her piece. The seventh performance was by Gabrielle Schrack, who performed Psalm 150 by Ned Rorem. Schrack, a Soprano, sang Psalm 150. Schrack had an easily understood voice while she performed her piece. The eighth performance was by Brittany Parry, who performed Arabesque No. 2 by Claude Debussy. Parry performed Arabesque No. 2 on the piano. Parry had memorized the entire piece with no piano music. The ninth performance was by John Hencinski, who performed Piano Concerto No.2 in d minor, Opus 23 by Edward MacDowell. Hencinski performed Piano Concerto No. 2 in d minor, Opus 23 on the piano. Hencinski performed very well on this piece. The tenth performance was by James Meadows, who performed Some Enchanted Evening by Richard …show more content…
Ferguson, a Soprano, sang Home. Ferguson performed adequately. The thirteenth performance was by Ashlyn Stevens, who performed Just You Wait by Frederick Loewe. Stevens, a Soprano, sang Just You Wait. Stevens had great posture while performing the piece. The fourteenth performance was by Emily Christopherson, who performed Climb Ev’ry Mountain by Richard Rogers. Christopherson, a Soprano, sang Climb Ev’ry Mountain. Christopherson sounded professional. The fifteenth performance was by Derek Raynaud, who performed It’s Hard to Speak My Heart by Jason Robert Brown. Raynaud, a Baritone, sang It’s Hard to Speak My Heart. Raynaud made the audience feel the artist’s pain. The sixteenth performance was by Arin Walker, who performed Tell Me On a Sunday by Andrew Lloyd Webber. Walker, a Soprano, sang Tell Me On a Sunday. Walker had a very quiet voice. The seventeenth performance was by Kelly Dunn, who performed 100 Easy Ways to Lose a Man by Leonard Bernstein. Dunn, a Mezzo-Soprano, sang 100 Easy Ways to Lose a Man. Dunn had a unique performance in the Recital. The eighteenth performance was by Tristan Allen, who performed Shiksa Goddess by Jason Robert Brown. Allen, a Tenor, sang Shiksa Goddess. Allen used posture to give the song comedic