The narrator is the adult woman Jing-Mei who looks back upon her life and the incidents that shaped her future, lending a discerning and insightful adult eye to the young character. There is also a rather manipulative side to Jing-Mei that Tan illustrates in the scene of Jing-Mei's piano lesson. Jing-Mei early on discovers that her instructor, Old Chong, had weak eyes and was unable to see clearly. Upon discovering this, Jing-Mei recounts, "I could be lazy and get away with mistakes, lots of mistakes." The main force opposing Jing-Mei is her mother, the antagonist. She is a traditional Chinese woman who tries to instill her beliefs in her young daughter, as well as the dream that Jing-Mei could become a successful child star. Tan uses Jing-Mei's mother to help create the physical conflict of children failing to live up to their parent's
The narrator is the adult woman Jing-Mei who looks back upon her life and the incidents that shaped her future, lending a discerning and insightful adult eye to the young character. There is also a rather manipulative side to Jing-Mei that Tan illustrates in the scene of Jing-Mei's piano lesson. Jing-Mei early on discovers that her instructor, Old Chong, had weak eyes and was unable to see clearly. Upon discovering this, Jing-Mei recounts, "I could be lazy and get away with mistakes, lots of mistakes." The main force opposing Jing-Mei is her mother, the antagonist. She is a traditional Chinese woman who tries to instill her beliefs in her young daughter, as well as the dream that Jing-Mei could become a successful child star. Tan uses Jing-Mei's mother to help create the physical conflict of children failing to live up to their parent's