The Power Of Reconstruction In Beloved, By Toni Morrison

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What does freedom mean for the Negro? Why does Sethe’s fatalistic narrative challenge prevailing conceptions of African-American resiliency in 1873? What is the power of recollection in shaping the historical memory of Reconstruction? In Beloved (1987), Toni Morrison explores the depth of the human experience with a hauntingly beautiful, yet physically gripping tale of trial and triumph. Morrison situates the narrative with the poignant story of Sethe. A woman attempting to reconcile the brutal memories of her past, Sethe endeavors to escape the vestiges of slavery that permeate her Sweet Home and 124 Bluestone Road. Born a slave, Sethe sojourns to escape the throes of subjugation and brutalization—ultimately finding solace in Paul D, comfort …show more content…
The most poignant recollections of Baby Suggs’ children are seared into her memory as faint, non-distinct impressions of the past. “All I can remember of her is how she loved the burned bottom of bread. Can you beat that? Eight children and that is all I remember” (Morrison 6). In 1873, the vestiges of slavery still haunted her family in Cincinnati, Ohio—lynchings, runaway sons, and broken familial ties. “If a Negro got legs he ought to use them. Sit down too long, somebody will figure out a way to tie them up” (Morrison 11). As a mother, she internalized this pain of lost in her psyche by actively suppressing her emotional attachments. “Boys hanging from the most beautiful sycamores in the world. It shamed her—remembering the wonderful soughing trees rather than the boys. Try as she might to make it otherwise, the sycamores beat out the children every time and she could not forgive her memory for that” (Morrison 7). Alas, the enduring memories of sons evoked images of nature instead of their physical …show more content…
“The last of her children whom she barely glanced at when he was born because it wasn’t worth the trouble to try to learn the features you would never see change into adulthood anyway” (Morrison 163). Sethe also repressed emotions associated with her sons, Howard and Burglar, and her husband, Halle. Pain and lost marked the most joyous time of her life--childrearing. In sum, the pain associated with these tumultuous experiences clouded Sethe’s and Baby Suggs’ collective memories. “Before and since, all her effort was directed not on avoiding pain but getting through it as quickly as possible” (Morrison 46). Both women endeavored to avoid the pain, subdue their recollections, and return to their wretched

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