In “This Lime-Tree Bower My Prison,” the use of imagination allows the speaker to reach a different level of realization at the end of the poem than he had possessed at the beginning of his mental journey; this transformation creates a newfound sense of self for the speaker in relation to his friend, Charles, and to nature as a whole. As Jeffrey Nealon and Susan Searls Giroux discuss in The Theory Toolbox, actively examining a topic in search of meaning permits other additional meaning to coexist whereas merely accepting a presented meaning as fact, as the Enlightenment movement prefers, limits the overall meaning of a work to a single interpretation. As Romantic poetry proves, a person’s imagination has the capacity to transcend mentally and—in the case of “This Lime-Tree Bower My Prison”— physically limiting circumstances and offers its user a new perspective which in turn creates a more replete personal understanding of self and of
In “This Lime-Tree Bower My Prison,” the use of imagination allows the speaker to reach a different level of realization at the end of the poem than he had possessed at the beginning of his mental journey; this transformation creates a newfound sense of self for the speaker in relation to his friend, Charles, and to nature as a whole. As Jeffrey Nealon and Susan Searls Giroux discuss in The Theory Toolbox, actively examining a topic in search of meaning permits other additional meaning to coexist whereas merely accepting a presented meaning as fact, as the Enlightenment movement prefers, limits the overall meaning of a work to a single interpretation. As Romantic poetry proves, a person’s imagination has the capacity to transcend mentally and—in the case of “This Lime-Tree Bower My Prison”— physically limiting circumstances and offers its user a new perspective which in turn creates a more replete personal understanding of self and of