For example, despite Paris’s power over Juliet in their marriage, he still needed Capulet’s permission in order to marry her. In this situation, the normal man needs the power of the head of the Capulet household. Capulet demonstrates his greater powers over men of a lower status in other incidents as well. One such instance is when Tybalt requests that he be able to banish Romeo from their party, Capulet denies his request, replying, “he shall be endured. What, goodman boy? I say he shall. Go to. Am I the master here or you? Go to” (I.v.86-88). Capulet goes as far as to call him a “goodman boy.” The Prince, holding the most important position, is the most powerful character. At the beginning of the play, when Capulets and Montagues are fighting, the Prince walks in and immediately commands the fighters to “throw your mistempered weapons to the ground… for this time all the rest depart away” (I.i.89-100). One could expect the fighters to ignore him, because they were in the middle of a heated fight, but instead everyone listens obediently, showing the Prince’s immense power. Later in the play, when the Prince reappears, he again takes complete control of the situation at hand, informing everyone, “I will be deaf to pleading and excuses. Nor tears nor prayers shall purchase out abuses” (III.ii.202-203). This is yet another example of the book’s theme that men …show more content…
“For this alliance may so happy prove to turn your households’ rancor to pure love,” plans Friar Lawrence (II.iii.98-99). From the beginning, Friar Lawrence expects Romeo and Juliet’s love to overpower the tensions between Capulets and Montagues. However, throughout the play their love simply enlarges the chasm between households, and even between members within the same family. Ironically, it is only when Romeo and Juliet commit suicide, thereby releasing any power they had previously had from their love, do the Capulets and Montagues finally reconcile. This shows that when love’s power clashed with the households’ power, the household power prevailed. But, when the power of love vanquished, the households were able to forgive each other. Juliet’s forced marriage to Paris is yet another instance in which love’s power deteriorates. Juliet begs Lady Capulet to “delay this marriage for a month, a week, or, if you do not, make the bridal bed in that dim monument where Tybalt lies” (III.v.211-214). This shows the complete loss of control and power Juliet has from her love, compared to that of her household’s