The 's Liberation Of Aunt Jemima And Hunt 's Outgrown Pyramid

2079 Words Nov 14th, 2016 9 Pages
Richard Hunt is a sculptor whose work largely draws on abstraction, crafting organic shapes with industrial materials. His approach to his art is one that is based on compulsion, as he combines various curvilinear and angular forms to form an ambiguous hybrid that captures the African American experience. By crafting an unconventional layering of different shapes, Hunt is able to create a conceptual piece that is open to interpretation. Similarly, Betye Saar aims to promote thought-provoking reflection. By carefully utilizing racial stereotypes into her artistic vision, Saar is able to manipulate racist devices into a more positive message. Her exaggeration of certain caricatures of African American life served as a new symbol for solidarity among the black populace. Saar’s Liberation of Aunt Jemima and Hunt’s Outgrown Pyramid #1 implement unconventional approaches to three dimensional spaces, as both artists champion for black empowerment. Comparing the artworks in relation to recognizable imagery, accessibility, and viewpoint is crucial because the audience is able to analyze how each artist created and spread similar messages for social change through their evocative modes of self-expression.
Although Betye Saar’s work is quite small, it is able to speak volumes through the artist’s careful use of racially charged imagery. The viewer is immediately captivated by Aunt Jemima, the iconic black nanny-maid. However, engagement with the viewer is facilitated through Saar’s…

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