The small brown water birds . . . bathed in the river silently . . . I could hear the water, almost at our feet where the narrow fast channel bubbled and washed green ragged moss and fern leaves”. There is much imagery that powers the senses with colors and tactile stimulation. “Innocent” isn’t a term anywhere near your mind right now, rather, “Sensuality” bears presence as you read these descriptive terms. It is clear that the Yellow Woman in Silko’s version doesn’t feel abducted at all, although, there is constant, slight wonder throughout the story at if she’s to become like the other Yellow Woman in the tales that she is very well aware of. Silko dons a sense of empowerment to the Yellow Woman in her story, in contrast to the meek and helpless characterization of Yellow Woman in the “Evil Kachina”, by writing about Yellow Woman’s strong sexual attraction to Silva, showcasing her past sense of restlessness prior to meeting
The small brown water birds . . . bathed in the river silently . . . I could hear the water, almost at our feet where the narrow fast channel bubbled and washed green ragged moss and fern leaves”. There is much imagery that powers the senses with colors and tactile stimulation. “Innocent” isn’t a term anywhere near your mind right now, rather, “Sensuality” bears presence as you read these descriptive terms. It is clear that the Yellow Woman in Silko’s version doesn’t feel abducted at all, although, there is constant, slight wonder throughout the story at if she’s to become like the other Yellow Woman in the tales that she is very well aware of. Silko dons a sense of empowerment to the Yellow Woman in her story, in contrast to the meek and helpless characterization of Yellow Woman in the “Evil Kachina”, by writing about Yellow Woman’s strong sexual attraction to Silva, showcasing her past sense of restlessness prior to meeting