Unable to battle her crippling social anxiety, Laura decides to escape from reality itself. To the viewer's eye, Laura’s entire “existence revolves around her collection of transparent glass animals, which she can order and control” (Presley 40). Laura becomes so delusional that she starts to think the contents of her glass menagerie are real. Laura is so deep in her own fantasy, she starts to think her ornaments possess emotions, stating that “they all like a change of scenery once in awhile”(Williams 729). Another way of escaping reality for Laura, is her Victrola. When Jim arrives for their date, Laura without hesitation “darts to the Victrola, winds it frantically and turns it on” (Williams 717). By doing so, Laura finally obtains the courage to let Jim inside the Wingfield household. These two items, the glass menagerie and the Victrola, are the main culprits to Laura’s desire to escape reality. Without them, Laura would lose her last bit of sanity, resulting in yet another casualty to the
Unable to battle her crippling social anxiety, Laura decides to escape from reality itself. To the viewer's eye, Laura’s entire “existence revolves around her collection of transparent glass animals, which she can order and control” (Presley 40). Laura becomes so delusional that she starts to think the contents of her glass menagerie are real. Laura is so deep in her own fantasy, she starts to think her ornaments possess emotions, stating that “they all like a change of scenery once in awhile”(Williams 729). Another way of escaping reality for Laura, is her Victrola. When Jim arrives for their date, Laura without hesitation “darts to the Victrola, winds it frantically and turns it on” (Williams 717). By doing so, Laura finally obtains the courage to let Jim inside the Wingfield household. These two items, the glass menagerie and the Victrola, are the main culprits to Laura’s desire to escape reality. Without them, Laura would lose her last bit of sanity, resulting in yet another casualty to the