It appears that in this section of the prologue to the Wife of Bath’s tale, Chaucer wants his readers to laugh at this character rather than admire her for her proto-feminist stances on life and marriage. Throughout her prologue in “Canterbury Tales” by Chaucer, the Wife of Bath confirms misogynistic stereotypes of women since she presents herself as little more than what can quite technically be called a whore. Instead of being a revolutionary female figure with feminist intentions, she merely seeks husbands who will provide for her in exchange for sexual favors. For her, a “good” husband is, as she states in one of the important quotes from the Wife of Bath’s Prologue in “The Canterbury Tales by Chaucer “goode, and riche, and olde” (line 203) and is easy prey when she decides to pull tricks such as make them think she is out at night looking for his women while she is having a good time, only to turn this around later for monetary benefit. As she willingly states to her audience, “An housbonde wol I have I wol nat lette / Which shal be both my detour and my thrall” (lines
It appears that in this section of the prologue to the Wife of Bath’s tale, Chaucer wants his readers to laugh at this character rather than admire her for her proto-feminist stances on life and marriage. Throughout her prologue in “Canterbury Tales” by Chaucer, the Wife of Bath confirms misogynistic stereotypes of women since she presents herself as little more than what can quite technically be called a whore. Instead of being a revolutionary female figure with feminist intentions, she merely seeks husbands who will provide for her in exchange for sexual favors. For her, a “good” husband is, as she states in one of the important quotes from the Wife of Bath’s Prologue in “The Canterbury Tales by Chaucer “goode, and riche, and olde” (line 203) and is easy prey when she decides to pull tricks such as make them think she is out at night looking for his women while she is having a good time, only to turn this around later for monetary benefit. As she willingly states to her audience, “An housbonde wol I have I wol nat lette / Which shal be both my detour and my thrall” (lines