The Walking-Dance: Viktoria Modesta And Its Dancer

Superior Essays
The screen goes black. The music has stopped. A slow tapping sound like an ice pick on a window alternates with the sound of footsteps, as a white stage and the legs of a performer come into view. One leg is bare, a conventionally sexy woman’s leg ending in a towering heel-less shoe. The other is less expected: rather than flesh and bone, there is a sleek black blade, a dark stalactite beginning at the knee and ending in a dangerous point. The spike taps and slices across the glassy surface of the floor producing the sound of a knife dragging across a plate. Scintillating, yet eerie. A dark and thrilling walking-dance has begun. Its dancer, Viktoria Modesta, punctuates the choreography with stabs at the icy floor, shattering the surface wherever the point of her spike prosthetic leg connects. It’s an appendage but also a weapon, and the result is fiercely beautiful. Modesta’s music video Prototype features multiple vignettes that represent ideas of rebellion, difference, sex, and general badassery.

Just as with Modesta’s crystal leg debuted at the 2012
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The client is involved in the design process from the beginning, and the transformation can be profound. “They appear to hold themselves more proudly. I think this is a combination of how it feels to wear the piece itself and the fact that they have been so involved in the process. Generally, when clients wear their prosthetic limbs, they receive positive attention, as it breaks down barriers. Rather than pity, people view them with curiosity, and in many cases have even shown signs of genuine envy, all of which is empowering for the wearer. Some clients reserve their alternative limbs for special occasions, and in those moments they can explore an alter ego. Others see it as part of their day-to-day

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