Before her final confrontation with Miles, the Governess speaks to herself, “… by treating my monstrous ordeal as a push in a direction unusual, of course, an unpleasant, but demanding after all, for a front, only another turn of the screw of ordinary human virtue” (111). To turn the screw again is to push it past its limits, just as how the Governess has already taken her actions too far. She is so caught up in believing that she must save the children that she might actually be causing them harm. As the Governess finally confronts Miles, her actions ultimately gets him killed from fright. Whether or not the ghosts of Quint and Miss Jessel were actually real, the Governess’ actions built up fear and paranoia. She was far too determined to solve the ordeal herself, and this arrogance would be her downfall. Flora no longer wishes to be near the Governess’, and Miles has died. Ultimately, the Governess has failed her original duties as
Before her final confrontation with Miles, the Governess speaks to herself, “… by treating my monstrous ordeal as a push in a direction unusual, of course, an unpleasant, but demanding after all, for a front, only another turn of the screw of ordinary human virtue” (111). To turn the screw again is to push it past its limits, just as how the Governess has already taken her actions too far. She is so caught up in believing that she must save the children that she might actually be causing them harm. As the Governess finally confronts Miles, her actions ultimately gets him killed from fright. Whether or not the ghosts of Quint and Miss Jessel were actually real, the Governess’ actions built up fear and paranoia. She was far too determined to solve the ordeal herself, and this arrogance would be her downfall. Flora no longer wishes to be near the Governess’, and Miles has died. Ultimately, the Governess has failed her original duties as