The Transformational Piece Rosencrantz And Guildenstern Are Dead Written By Tom Stoppard

816 Words Nov 24th, 2014 4 Pages
The transformational piece Rosencrantz and Guildenstern Are Dead written by Tom Stoppard explores the identities and roles that Rosencrantz and Guildenstern serve in as well as outside the shakespearean world. Stoppard successfully casts Rosencrantz and Guildenstern in a new light, by incorporating scenes in Hamlet and reinterpreting them in the perspective of Rosencrantz and Guildenstern. Rosencrantz and Guildenstern 's roles in Hamlet were solely for plot purposes, their deeper identities were neglected throughout the play and deeper analysis of them was not possible. Delving deeper into Rosencrantz and Guildenstern’s identities illuminates the significance they play in prodding difficult questions faced in everyday lives. The play initially starts with Rosencrantz and Guildenstern recollecting fragments of their previous life attempting to put light on the current situation at hand. The play progresses with them reobtaining their identities through scenes from Hamlet. Rosencrantz and Guildenstern are unable to fully recollect their identities and fade away from existence, suffering the same fate as Hamlet, Claudius, Laertes, and Gertrude. Rosencrantz and Guildenstern Are Dead is a transformational piece due to several factors, Rosencrantz and Guildenstern explore deep into their identities and purpose, scenes in Hamlet are reexamined through Rosencrantz and Guildenstern’s eyes, and Rosencrantz and Guildenstern ponder burdensome questions present in life.

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