The love structured in Snyder’s poem is through every human being and every object as the speaker describes it from start to end: “warm water” (8) “soapy hand feeling” (12) “sierra forest” (24) “playing with her breast” (62) “slide ourselves down from the benches” (81). The poem is structured in the expression of a loving language to showcase the presence of warmth throughout the speakers observance and at the same time being a part of this moment he manifests: the speaker introduces language, such as, “warm water” (9) “laughing… jumping” (19) “a hand of gail” (36) “jolts of light” (46); the speaker continues with the presence of love towards the middle, “joy forces” (60) “love their mother” (74); and as the speaker comes to a closing ending the presence of love is still revolving, “hugging babies, kissing bellies” (91). The speaker in “The Bath” is never in the absence of love since humans, objects and environmental nature–all things that are present in the planarity earth– is love
The love structured in Snyder’s poem is through every human being and every object as the speaker describes it from start to end: “warm water” (8) “soapy hand feeling” (12) “sierra forest” (24) “playing with her breast” (62) “slide ourselves down from the benches” (81). The poem is structured in the expression of a loving language to showcase the presence of warmth throughout the speakers observance and at the same time being a part of this moment he manifests: the speaker introduces language, such as, “warm water” (9) “laughing… jumping” (19) “a hand of gail” (36) “jolts of light” (46); the speaker continues with the presence of love towards the middle, “joy forces” (60) “love their mother” (74); and as the speaker comes to a closing ending the presence of love is still revolving, “hugging babies, kissing bellies” (91). The speaker in “The Bath” is never in the absence of love since humans, objects and environmental nature–all things that are present in the planarity earth– is love