In this research Paper, we will try to light on the theme of frustration honour and death in the plays of Federico Garcia Lorca who is the most eminent painter, singer of Andalusia Folklore and a poet of gipsy ballads. He was the master of Puppet theatre. His surrealistic style makes him the greatest dramatist among other contemporaries dramatist. It was his great writing for the Spanish Literature that he wrote rural trilogy as Blood wedding, Yerma and The House of Bernarda Alba. Following these plays he knits the symbolical background with the Aristotelian concepts. His first play Blood Wedding is based on the theme of bloodshed and feud between two families which ends with thirst of murder to Bridegroom and Leonardo who belongs to the Felix
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His plays are known for his surrealistic style in which the character of the plays was Death as a bagger woman, woodcutters, and the moon also assumes the living character on the earth. The play Blood Wedding published in 1936 and premiered in 1933 at Madrid on 8 March 1933, is a symbolic drama in which, Death has been dealing an important role. It has been called a trilogy because of it language, reference and genre as the language of the Act III and Act I have lyrical quality through the lullaby and conversational tone of the wood cutters. And the second feature for its reference rises from the real aspect of living and it has been come to light to the writer through a newspaper evidence not a crop of mind. The dramatist has given the shape of it in order to express his feeling towards the incident. For Genre, he followed to the Aristotelian concept of his play by using as the issue of prophecy and fatality. 1 …show more content…
The poor old mother has remained alone in her house. Her husband and older son had already haunted by the death in those dual. Along with she had a terrible feeling in her heart that her remaining son would die on a day in the matter of fact she had always try to distance those weapons and person which can harm him. The Bride knowingly brings her dismal fate upon herself, yet disaster also befalls the innocent characters of the drama. It is the suffering of the others who rise to an important question: who is the central character of the play? 4
His plays are known for his surrealistic style in which the character of the plays was Death as a bagger woman, woodcutters, and the moon also assumes the living character on the earth. The play Blood Wedding published in 1936 and premiered in 1933 at Madrid on 8 March 1933, is a symbolic drama in which, Death has been dealing an important role. It has been called a trilogy because of it language, reference and genre as the language of the Act III and Act I have lyrical quality through the lullaby and conversational tone of the wood cutters. And the second feature for its reference rises from the real aspect of living and it has been come to light to the writer through a newspaper evidence not a crop of mind. The dramatist has given the shape of it in order to express his feeling towards the incident. For Genre, he followed to the Aristotelian concept of his play by using as the issue of prophecy and fatality. 1 …show more content…
The poor old mother has remained alone in her house. Her husband and older son had already haunted by the death in those dual. Along with she had a terrible feeling in her heart that her remaining son would die on a day in the matter of fact she had always try to distance those weapons and person which can harm him. The Bride knowingly brings her dismal fate upon herself, yet disaster also befalls the innocent characters of the drama. It is the suffering of the others who rise to an important question: who is the central character of the play? 4