One of the most frequently cited anatomical parts in Othello is undoubtedly the hand. A uniquely human characteristic, this appendage consists of a system of bones, muscle, nerves, and skin that promotes dexterity, coordination, and a sense of touch. Capable of so many practical applications, it is no wonder then that the hand also takes on many symbolic meanings. In fact, Michael Neil argues that “for Shakespeare and his contemporaries…it was not only a primary site of meaning but the conduit of extraordinary energies” (Neil 170). As such, this section of the essay explores the representational role the hand—especially Desdemona’s—- takes on in Othello. From the very beginning, the hand assumes an integral part in Iago’s machinations against
