Mallard appears as a weak person when she retreats to her room alone to grieve about her husband’s death. It follows her as she flees to her bedroom and stares out the window into the nature. She is silent between heart-wrenching sobs until she starts to whisper “free, free, free” (Chopin, 60). This marks her realization that she has no one to live for and no one to please. She is free to follow her own dreams that were overlooked during her youth as she assumed the role of wife and housekeeper. She begins to rejoice in the new kind of life she will lead, without having to tend to her husband’s desires when suddenly her husband walks in the front door unharmed and confused. Mrs. Mallard’s conflicting heart illness was ultimately her demise but it was truly due to “a joy that kills” (Chopin,
Mallard appears as a weak person when she retreats to her room alone to grieve about her husband’s death. It follows her as she flees to her bedroom and stares out the window into the nature. She is silent between heart-wrenching sobs until she starts to whisper “free, free, free” (Chopin, 60). This marks her realization that she has no one to live for and no one to please. She is free to follow her own dreams that were overlooked during her youth as she assumed the role of wife and housekeeper. She begins to rejoice in the new kind of life she will lead, without having to tend to her husband’s desires when suddenly her husband walks in the front door unharmed and confused. Mrs. Mallard’s conflicting heart illness was ultimately her demise but it was truly due to “a joy that kills” (Chopin,