“Haply, for I am black”: Internalized Racism in Othello Racism is a major theme in Othello, one that shows up countless times throughout the play. It’s one of the reasons that Iago hates Othello, fuelling his envy.…
Often the most important themes in literature are developed in scenes in which a death or deaths take place. In the play Othello by William Shakespeare, the death of the character Desdemona serves as the climatic breaking point where pervasive racism and sexism can no longer exist without resulting in detrimental harm to the involved parties. It is Othello’s prideful hamartia that, combined with sexism, is the catalyst that ultimately destroys both his and Desdemona’s life. In Othello, the cast of characters is subjected to the mounting pressures of sexism and racism without even realizing the detrimental effects it has on their lives.…
Early on in the tragedy the reader is aware that Othello it looked down on society because he is a black man. In the time periods when Shakespeare wrote the play, racism was a big factor in society that could make or break someone. In the world of Othello race also plays a main role, Othello is a character with a high ranking in the army, but even with his respected job when he marries…
In this time period, most spontaneous onions were formed around race. Since Othello is of Moor descent, Iago uses that against him at the beginning of the play. All through the entirety of the play, Iago refers to Othello as “the Moor” (1.3.373), which would be similar to referring to someone as…
Over the course of history, in most societies, men have had a more dominant role. Men normally ran the business side of the family and women looked after children and helped the husband when asked. This is the same in William Shakespeare’s Othello, set in Venice and Cyprus in the 16th century. Othello has the gender roles of an Elizabethan society where men were the dominant figure over women. Women were passed from father to husband and served the man who was in charge of them their whole life.…
The hateful tone is reiterated in Iago’s dialogue which conveys how he does not accept Othello. Thus, the symbolism of the juxtaposing colours “black” and “white” accentuate the how Othello is ostracised as he is being separated from society by his colour. Furthermore, it is typical to say that black represents the dangerous and evil side whilst the white represents the pure and innocent side. This stereotype can contribute to why society views and alienates Othello.…
In society today, the idea of interracial relationships is something we see regularly. In fact, former American President once said, ¨No one in America should every be afraid to walk down the street holding hands with the person they love¨ (2012). Although this quote is specifying in the United States of America, the general message applies internationally. However, throughout the play, the tone towards the interracial relationship between Othello and Desdemona was explicit.…
1 Nov. 2016. The author, Bloom, firmly establishes the multiple occasions that racism is a major element in the play Othello. He describes the intended reason the character, "Othello", is a colored man, rather than similar color to the other characters. He clearly states his opinion on his belief that Shakespeare is perhaps a racist man.…
1 Othello is the only man in Venice with a different color skin, so he feels insecure about being born black. Othello knows he lived in a world where the white people are the majority of the population. He is worried about what others will think him marring Desdemona, so they eloped at the beginning of the play. Othello believes Iago so easily about Desdemona is cheating on him because he does not know why she chose him over a man that is her own skin color. Othello says “Haply, for I am black,” (Act 3.3.303)…
Other than the main themes of the play such as betrayal, love, and conflict, there were also a lot of references towards race, reputation, and prejudice. Even within the first few pages of the play, there were references towards the inequality between black individuals and white individuals. After Brabantio found out about his daugther marrying Othello, he insisted that there was no way that someone like her could fall in love with a black man. Even with Othello 's high reputation, there were many times where other characters made comments about his color. As well as race, reputation and prejudice were attributes that effected the characters and their interactions with others.…
Race is one of many themes presented in William Shakespeare’s Othello. It is used at the beginning of the play to convey Othello’s blackness, but as the play progresses Othello uses racial comparisons to identify his own blackness. Things like his facial features (nose, ears, face,) are used to portray his appearance in relation to the other characters in the play. Shakespeare uses the detailed imagery of Othello’s blackness to place readers and the audience into the time period and setting of the play. The beginning of the play starts by creating a separation between Othello and the other characters.…
“To understand Othello’s position, one must appreciate not only his African characteristics, but his position as a black man in a Venetian society; he is the Moor of Venice” (Berry 318). Othello’s alienation played a big role in the play. Othello’s dark skin color isn’t only a mark of his physical isolation, but it also represents several different symbols. They were very stereotypical. Othello’s skin color is black and in the Elizabethan era, being black symbolized ugly, treachery, lust, bestiality, demonic, dishonest, and unintelligent (Berry 319).…
In 1.1, the conversation between Roderigo and Iago concerning Othello is what opens the play. The name “Othello” was never once brought up, and was instead substituted with “the Moor” that simply identifies him by the colour of his skin, not even worthy enough to deserve a name. Iago very crudely and explicitly tells Brabantio that Othello the “old black ram is tupping [his] white ewe” with the use of animal and sexual imagery, implicating that the general assumption on Othello’s race is that they are merely savages animals that only live by their sexual instincts. He also mentions that Desdemona and Othello are “making the beast with two backs”. Before the audience is even able to meet Othello, we are already forced fed with vivid description that implies the paralleling of blacks and beastly animals that are uncivilised and simply sexually driven, constructing a similar negative impression on Othello, sharing Iago and Roderigo’s racist mentality through lewd, indecent and debasing…
Although Othello was black he was a general of the Venice army in an era where racism was at its highest; this shows that he was a noble man and a man of great self-discipline. The whole play we saw the fall from grace of Othello from being a celebrated and respected war hero, a loving husband, and a storyteller to an irrational, violent, and insanely jealous husband who murders his own wife after Iago convinces him that Desdemona has been unfaithful. Iago’s character is possibly the greatest villain in Shakespeare. He is the instigator of the whole tragedy of Othello.…
Iago looks at Othello as a lesser human being due to his different racial background which is evident when Iago wakens Brabantio with the news of his daughter’s recent elopement with the Moor. Iago tries to turn Brabantio against Othello saying “Even now, now, very now, and old black ram is tupping your white ewe” (1.3.90-91). Iago uses animal imagery and compares Othello to an old black ram which introduces racial association of black versus white. Iago discriminates Othello as a human being and compares him to an aggressive animal, leading Brabantio to become more enraged and think that Desdemona is under certain witchcraft for falling in love with a black man.…