I also really enjoyed the characters’ emotions and the producer’s typecasting. On the set, the furniture and decorations accurately corresponded to the setting of the play. The lighting designer, Michael Gend, did a superb job of keeping the appropriate amount of light during specific parts of the performance. As for the costumes, the costume designer, Eileen Gizienski, properly depicted the apparel for a wealthy family during the 1920s. The acting was a inferior attempt to keep the crowd immersed. Typecasting for the play correctly illustrated each actor’s role in relation to their
I also really enjoyed the characters’ emotions and the producer’s typecasting. On the set, the furniture and decorations accurately corresponded to the setting of the play. The lighting designer, Michael Gend, did a superb job of keeping the appropriate amount of light during specific parts of the performance. As for the costumes, the costume designer, Eileen Gizienski, properly depicted the apparel for a wealthy family during the 1920s. The acting was a inferior attempt to keep the crowd immersed. Typecasting for the play correctly illustrated each actor’s role in relation to their