Moll is brought out as the major victim of sexual slander clearly. When Sir Alexander refers Moll as a blazing star, she goes ahead to defend herself against all the accusations that threaten to tarnish her name. Moll defends herself saying that there many more ladies who are whores in small ruffs while others have their names filled in the slander books. The Renaissance scholars usually consider slander as a consequence of tumbled sedition willpower. The slander is also linked to tumbled charity efforts, sinful arrogance, fury, and the condition of being desperate (Digangi). The Renaissance writers further display slander as a form of projection that may be conscious or unconscious. In the play The Roaring Girl, Moll serves as the scapegoat where those laying blames on her project their fears, wants and their apprehensions. The vulgar mouths of the domain slander Moll by terming her as both a whore and a
Moll is brought out as the major victim of sexual slander clearly. When Sir Alexander refers Moll as a blazing star, she goes ahead to defend herself against all the accusations that threaten to tarnish her name. Moll defends herself saying that there many more ladies who are whores in small ruffs while others have their names filled in the slander books. The Renaissance scholars usually consider slander as a consequence of tumbled sedition willpower. The slander is also linked to tumbled charity efforts, sinful arrogance, fury, and the condition of being desperate (Digangi). The Renaissance writers further display slander as a form of projection that may be conscious or unconscious. In the play The Roaring Girl, Moll serves as the scapegoat where those laying blames on her project their fears, wants and their apprehensions. The vulgar mouths of the domain slander Moll by terming her as both a whore and a