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The Reflexive Mode As A Sub-Mode In Forbidden Lie

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I would stick to the reflexive mode as the central mode for Forbidden Lies$ because, the other Nichols’ mode of documentaries are not suitable to represent a documentary like Forbidden Lie$. But, I would include participatory mode as a sub-mode to compliment the reflexive mode in this documentary.
Reflexive documentary is when a filmmaker constructs the representation of reality in a documentary and allow the viewers to question the actuality of the representation. Reflexive mode is the best mode for Forbidden Lie$ as it allows audience to engage with the content of the Forbidden Lie$ at a maximum level because in this film, viewers want to seek the truth of the Forbidden Love book from the actor, who is a fraud. To get answers from a fraud,

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