When they are asked their name by Lisa, a neighborhood girl, they respond Mikael. Lisa takes this at face value, as does the audience, because Sciamma has set it up so we view the character as a boy. Lisa goes on to introduce them as Mikael to the neighborhood boys and they are accepted without question. It isn’t until the next scene in which we see the siblings taking a bath together that we as an audience are clued in. The mother (none of the adult characters are given names) calls out to “Laure” and when they stand up we see that they are female bodied. Now the audience knows Mikael/Laure’s secret and can confront its own ideas on gender and gender identity. Sciamaa does a great job showing that gender is a social construct and allowing the audience to hopefully arrive at that conclusion by asking themselves why they viewed the character as a boy and what changes for them when they learn that the character is female
When they are asked their name by Lisa, a neighborhood girl, they respond Mikael. Lisa takes this at face value, as does the audience, because Sciamma has set it up so we view the character as a boy. Lisa goes on to introduce them as Mikael to the neighborhood boys and they are accepted without question. It isn’t until the next scene in which we see the siblings taking a bath together that we as an audience are clued in. The mother (none of the adult characters are given names) calls out to “Laure” and when they stand up we see that they are female bodied. Now the audience knows Mikael/Laure’s secret and can confront its own ideas on gender and gender identity. Sciamaa does a great job showing that gender is a social construct and allowing the audience to hopefully arrive at that conclusion by asking themselves why they viewed the character as a boy and what changes for them when they learn that the character is female