In the article “The Princess Paradox,” Poniewozik discusses Hollywood movies produced for the public that convey an idealistic culture. Poniewozik claims that the princess culture is not despicable for young girls to know or experience and promotes feministic ideas by introducing certain movies. Poniewozik introduces that in 2001, many cinderella stories were produced bringing in a gross profit of 108 million dollars. Since then, Hollywood has decided to keep producing these cinderella stories and fairytales to continue bringing in this profit. “Call it nature or nurture, harmless fantasy or insidious indoctrination, but Hollywood is discovering that it still pays not to fight the royal urge” (323). Although being princess-like has been considered
