Cordelia’s death is the defining tragic moment in the play. Her death was a Christ like death; she had died in effort to save her father from his sins and thus, bring forth redemption and understanding to Lear.(Cavell, 1987, p. 38). Lear had even anticipated her call “ Upon such sacrifices, my Cordelia, The Gods themselves throw incense.” ( Shakespeare, trans.1996, 5,3 20-21) Cordelia and Edgar are both representations of the Apolline like figure; they used reason and tranquility to bring their flawed fathers closer to the truth. Lear and Gloucester on the other hand; both fallen from grace into the hell that was fueled by their desires, fickleness and misjudgments; it was both them that hammered the nails in their coffins. The imagery of animals are embedded within this play, as Lear descended from the top and down into the bottom. Lear seen himself as a victim of justice, as he descended to the bottom of the wheel; even though he was the young that trusted Gonerill and Regan, as well handed them over the
Cordelia’s death is the defining tragic moment in the play. Her death was a Christ like death; she had died in effort to save her father from his sins and thus, bring forth redemption and understanding to Lear.(Cavell, 1987, p. 38). Lear had even anticipated her call “ Upon such sacrifices, my Cordelia, The Gods themselves throw incense.” ( Shakespeare, trans.1996, 5,3 20-21) Cordelia and Edgar are both representations of the Apolline like figure; they used reason and tranquility to bring their flawed fathers closer to the truth. Lear and Gloucester on the other hand; both fallen from grace into the hell that was fueled by their desires, fickleness and misjudgments; it was both them that hammered the nails in their coffins. The imagery of animals are embedded within this play, as Lear descended from the top and down into the bottom. Lear seen himself as a victim of justice, as he descended to the bottom of the wheel; even though he was the young that trusted Gonerill and Regan, as well handed them over the