Throughout the novel, Doro is represented as a god-like enigma. His people worship him, and “knew better than to run from him,” unlike Anyanwu who Doro believes wouldn’t hesitate to run (97). Doro has been characterized to be someone flawless. His successes in breeding are often planned generations in advance without any surprises, therefore when he comes to the realization that Anyanwu has the ability to escape, though she is not aware of it, he is unsure of how to proceed. This newfound awareness of the limitations in his powers leaves Doro feeling vulnerable, something not previously seen in his character. However, this vulnerability is contained in this single passage, it does not continue throughout his interactions with Anyanwu. While the feeling of vulnerability is contained, readers are constantly aware of the lack of total control over Anyanwu and her ability to break free of Doro’s control throughout the rest of the novel. Doro’s moment of vulnerability, in relation to the rest of the novel, serves to make Doro more human-like. The principle of narrative completeness is used here because Doro is finally shown as a person, someone fallible. This new revelation that Doro can indeed make a mistake and feel vulnerable completes the picture of a human, but does not fit with the view of Doro previously
Throughout the novel, Doro is represented as a god-like enigma. His people worship him, and “knew better than to run from him,” unlike Anyanwu who Doro believes wouldn’t hesitate to run (97). Doro has been characterized to be someone flawless. His successes in breeding are often planned generations in advance without any surprises, therefore when he comes to the realization that Anyanwu has the ability to escape, though she is not aware of it, he is unsure of how to proceed. This newfound awareness of the limitations in his powers leaves Doro feeling vulnerable, something not previously seen in his character. However, this vulnerability is contained in this single passage, it does not continue throughout his interactions with Anyanwu. While the feeling of vulnerability is contained, readers are constantly aware of the lack of total control over Anyanwu and her ability to break free of Doro’s control throughout the rest of the novel. Doro’s moment of vulnerability, in relation to the rest of the novel, serves to make Doro more human-like. The principle of narrative completeness is used here because Doro is finally shown as a person, someone fallible. This new revelation that Doro can indeed make a mistake and feel vulnerable completes the picture of a human, but does not fit with the view of Doro previously