This is the first description the reader has of the ghost who has apparently been terrorizing the Opera Garnier. During the first chapter of the novel it is told to the reader the horrible things this monster has done to the performers and administration of this Paris Opera House. These deeds include blackmailing the owners for 20,000 francs a month, killing a stage hand, and reserving one theater box for his use under the threat that “a disaster beyond imagination will occur” if it is rented out. Eventually we are introduced to Christine Daaé, a young ballet dancer turned prima donna one faithful night. After her crowing performance her old childhood friend, Raoul viscount de Chagny, listens at her door as she argues with her teacher. When he bursts into the room it is empty without Christine or the voice he
This is the first description the reader has of the ghost who has apparently been terrorizing the Opera Garnier. During the first chapter of the novel it is told to the reader the horrible things this monster has done to the performers and administration of this Paris Opera House. These deeds include blackmailing the owners for 20,000 francs a month, killing a stage hand, and reserving one theater box for his use under the threat that “a disaster beyond imagination will occur” if it is rented out. Eventually we are introduced to Christine Daaé, a young ballet dancer turned prima donna one faithful night. After her crowing performance her old childhood friend, Raoul viscount de Chagny, listens at her door as she argues with her teacher. When he bursts into the room it is empty without Christine or the voice he