They play important key roles in developing the plot, theme and conflicts of a story. Without archetypes there wouldn’t be the stereotypical protagonist hero character coming to save the day in today's movies and books. Throughout history archetypes have been roughly the same, a protagonist and an antagonist but the way they have been used has been distinctly different through time. For example, In Steinbeck's The Pearl Kino the protagonist who also serves as an underdog, has to face many difficult situations and life changes. For example, when Kino’s child Coyotito get stung by a scorpion Kino need to get the baby to the doctor. The doctor won't see Kino because Kino doesn't have anything that the doctor sees of value that he could want from Kino(Steinbeck 7 ). The doctor in this stands as an antagonist towards Kino and as an archetype due to later on in the story trying to deceive Kino and go against him once again. Steinbeck uses archetypes differently but still has the same concept that no matter what the protagonist still keeps going on. Although the novella had a not so American dream ending, Kino pushed through getting chased, deceived, and fighting his own inner greed to try and fight for his chance at the American dream. Steinbeck uses archetypes to set the theme of striving for the American dream by using them what they were made for. The protagonist pushes through no matter what, the antagonists try stopping the protagonists, the innocent wants to help the protagonist but doesn't know how and the fighter want the protagonist to push through. All of these can been seen in as archetypes in The Pearl. Kino the protagonist. The priest, pearl buyers, and the doctor are the antagonists. The innocent are Juana and Coyotito. The fighter is Kino's brother Juan
They play important key roles in developing the plot, theme and conflicts of a story. Without archetypes there wouldn’t be the stereotypical protagonist hero character coming to save the day in today's movies and books. Throughout history archetypes have been roughly the same, a protagonist and an antagonist but the way they have been used has been distinctly different through time. For example, In Steinbeck's The Pearl Kino the protagonist who also serves as an underdog, has to face many difficult situations and life changes. For example, when Kino’s child Coyotito get stung by a scorpion Kino need to get the baby to the doctor. The doctor won't see Kino because Kino doesn't have anything that the doctor sees of value that he could want from Kino(Steinbeck 7 ). The doctor in this stands as an antagonist towards Kino and as an archetype due to later on in the story trying to deceive Kino and go against him once again. Steinbeck uses archetypes differently but still has the same concept that no matter what the protagonist still keeps going on. Although the novella had a not so American dream ending, Kino pushed through getting chased, deceived, and fighting his own inner greed to try and fight for his chance at the American dream. Steinbeck uses archetypes to set the theme of striving for the American dream by using them what they were made for. The protagonist pushes through no matter what, the antagonists try stopping the protagonists, the innocent wants to help the protagonist but doesn't know how and the fighter want the protagonist to push through. All of these can been seen in as archetypes in The Pearl. Kino the protagonist. The priest, pearl buyers, and the doctor are the antagonists. The innocent are Juana and Coyotito. The fighter is Kino's brother Juan