Thus, the ordinary run of things in their lives led to three types of metaphorical deaths: physical, mental and spiritual. Joyce introduced them in order to display the deepening of the paralysis throughout the novel, from the first to the last short-story: “The figurative physical paralytic – death each experiences results from the choices each character makes in relation to love, humanity and marriage” (Melotti, 1975, p. 50). Although represented by particular moments and characters, the three allegorical types of death are all embodied in the main character of the last short-story “The Dead”: “Physical entrapment, mental stagnation, and spiritual emptiness occur on various levels and are represented by specific instances and characters in the story. But in the person of Gabriel Conroy, Joyce develops all three levels of figurative death” (Melotti, 1975, p. 129). Joyce characterizes Gabriel as a figure of disaster as a result of his inability to manage his decisions concerning love and
Thus, the ordinary run of things in their lives led to three types of metaphorical deaths: physical, mental and spiritual. Joyce introduced them in order to display the deepening of the paralysis throughout the novel, from the first to the last short-story: “The figurative physical paralytic – death each experiences results from the choices each character makes in relation to love, humanity and marriage” (Melotti, 1975, p. 50). Although represented by particular moments and characters, the three allegorical types of death are all embodied in the main character of the last short-story “The Dead”: “Physical entrapment, mental stagnation, and spiritual emptiness occur on various levels and are represented by specific instances and characters in the story. But in the person of Gabriel Conroy, Joyce develops all three levels of figurative death” (Melotti, 1975, p. 129). Joyce characterizes Gabriel as a figure of disaster as a result of his inability to manage his decisions concerning love and