From the earliest starting point of "The Lottery," Shirley Jackson's arrangement for the end of the story is made obvious through her utilization of subtle element and discourse. Little pieces of information foretell the evening's grievous occasions to come.
The main dismal subtle element happens in the opening section as the storyteller specifies that "Bobby Martin had effectively stuffed his takes brimming with stones and alternate young men soon took after his case, selecting the smoothest and roundest stones." This won't not have been such a telling demonstration if the young men had done as such at the lake, however the storyteller educates the peruser that the young men "made an incredible heap of stones in one corner of the square,"
The main dismal subtle element happens in the opening section as the storyteller specifies that "Bobby Martin had effectively stuffed his takes brimming with stones and alternate young men soon took after his case, selecting the smoothest and roundest stones." This won't not have been such a telling demonstration if the young men had done as such at the lake, however the storyteller educates the peruser that the young men "made an incredible heap of stones in one corner of the square,"