The tone for both books try to make us think about being a superhero, because of how flawed these fictional characters really are if they really existed. The approach that The Long Halloween takes was, here is a superhero book with a realistic dark take on characters owned by D.C. comics. While still keeping up with a super tradition. But Alan Moore's approach was more of a deconstruction of the superhero genre by making heroes with obvious flaws and a certain twist to their characters that makes them obviously relatable or not at all. While in other comic books, the characters in those books, be it heroes or villains, can make the reader feel like they can relate with them in some aspects. But in Watchmen, the characters seemed to reflect their upbringing. Like how The Comedian went to war multiple times, disregards the lives of others, because in the end they all die. He seems to be the one move with the
The tone for both books try to make us think about being a superhero, because of how flawed these fictional characters really are if they really existed. The approach that The Long Halloween takes was, here is a superhero book with a realistic dark take on characters owned by D.C. comics. While still keeping up with a super tradition. But Alan Moore's approach was more of a deconstruction of the superhero genre by making heroes with obvious flaws and a certain twist to their characters that makes them obviously relatable or not at all. While in other comic books, the characters in those books, be it heroes or villains, can make the reader feel like they can relate with them in some aspects. But in Watchmen, the characters seemed to reflect their upbringing. Like how The Comedian went to war multiple times, disregards the lives of others, because in the end they all die. He seems to be the one move with the