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The Lion Of Saint Mark Carpaccio Analysis

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Carpaccio’s The Lion of Saint Mark: An Example of Venetian Expansionist Propaganda Vittore Carpaccio completed his now iconic painting The Lion of Saint Mark in 1516, a perilous time for Venetian imperial power as foreign nations fought back against the Republic's expansionist policies. While the painting was originally commissioned to be placed within the Venetian Treasury near the Rialto, Carpaccio's work was later moved to the Ducal Palace, where it remains today (Willis 47). During this era of Venetian history, the Ducal Palace not only served as the location of the highest seat of power within the city, but also as a central hub for propaganda and the crafting of a Venetian nationalistic narrative. Joanne Ferraro in her book Venice: The

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