This allowed me to go in depth, so I could later show a contrast in each of my characters. From reading my lines it became evident that each had conflicting personality traits. For instance, Aaron Kreifel's is a young man who finds Matthew tied to the fence. This monologue is chronological in its events; therefore, I made the decision to present his dialogue in a reflective way. To do so I added dramatic pauses, to indicate he was rethinking his experience. Stage directions throughout his monologue are not stated by the writer, leaving this up to the director and the actor. The tempo and rhythm of this piece altered, although it still flowed. In stark contrast to Aarons powerful dictation, Alison Mears scenes were filled with diligence, vibrancy and bountiful energy. Therefore, I adopted a proud, upright posture, to present her as a confident character. The set was fairly blank; however, three chairs were placed upstage and Alison was placed next to her long-time
This allowed me to go in depth, so I could later show a contrast in each of my characters. From reading my lines it became evident that each had conflicting personality traits. For instance, Aaron Kreifel's is a young man who finds Matthew tied to the fence. This monologue is chronological in its events; therefore, I made the decision to present his dialogue in a reflective way. To do so I added dramatic pauses, to indicate he was rethinking his experience. Stage directions throughout his monologue are not stated by the writer, leaving this up to the director and the actor. The tempo and rhythm of this piece altered, although it still flowed. In stark contrast to Aarons powerful dictation, Alison Mears scenes were filled with diligence, vibrancy and bountiful energy. Therefore, I adopted a proud, upright posture, to present her as a confident character. The set was fairly blank; however, three chairs were placed upstage and Alison was placed next to her long-time