When you thinking about the word “impression”, what does it means to you? It could be a feeling that you get about a person, or an idea you get from reading a book. Everyone has his or her own understanding about impression. However, from the late 19th century, a French painter named Claude Monet gave us a new idea of impression. Furthermore, his painting the Impression: Sunrise drew in 1872, which changed the way of analyzing painting. The Impression: Sunrise is a fascinating painting, which content of it, such as, boats, the sun, the sky and the worker, all these things shown a busy and brisk morning in the Port of Le Harre in France. Even though this painting was not popular at that time, it is an undeniable fact that the Impression: Sunrise
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The viewer can clearly see that the entire objects in this painting were drawing by broken brush stroke. The wave was drawing by the stroke with different length and thickness. Three little ships, which draw by two ink lines, were swaying in the colorful color point, and the discernible people standing on the ship, which appears like a hazy blur. The distance factory chimneys and masts consist of many crisscross blue lines. In addition, the round orange sun colored the square clouds, and the ink blue ships take shape without great definition. Moreover, the darker broken brushstroke in the water create a motion and ripples scene, while the small brush orange and yellow appear as a reflection of the sunrise in the water. Monet uses its bold, rapid and messy brush strokes to record what he watch in front of the busy port during a foggy morning. For example, the viewer can see lots of small piece of color lines in this painting, which here is a little square of blue, an oblong of yellow, and a streak of orange and blue. The rippling water disrupts the reflection of ships’ masts by small and broken pink brush strokes. The painting focuses on the exact color and shape of the object, and wants to give the viewer a naïve impression of the
The viewer can clearly see that the entire objects in this painting were drawing by broken brush stroke. The wave was drawing by the stroke with different length and thickness. Three little ships, which draw by two ink lines, were swaying in the colorful color point, and the discernible people standing on the ship, which appears like a hazy blur. The distance factory chimneys and masts consist of many crisscross blue lines. In addition, the round orange sun colored the square clouds, and the ink blue ships take shape without great definition. Moreover, the darker broken brushstroke in the water create a motion and ripples scene, while the small brush orange and yellow appear as a reflection of the sunrise in the water. Monet uses its bold, rapid and messy brush strokes to record what he watch in front of the busy port during a foggy morning. For example, the viewer can see lots of small piece of color lines in this painting, which here is a little square of blue, an oblong of yellow, and a streak of orange and blue. The rippling water disrupts the reflection of ships’ masts by small and broken pink brush strokes. The painting focuses on the exact color and shape of the object, and wants to give the viewer a naïve impression of the