She’s learning how to put expression into her art and make it her own. The image in her mind is changing, becoming something more realistic. The first time she feels good about a tree she draws is when she says, “I sketch a cubist tree with hundreds of skinny rectangles for branches. They look like lockers, boxes, glass shards, lips with triangle brown leaves” (119). This is the moment when Melinda specifically makes references to her own life. The lockers represent the school and the glass shards is foreshadowing to when she tells her attacker no by holding a shard to his neck when he tries to rape her again later in the story. Melinda comes to an understanding that her tree does not have to be normal and perfect. She recognizes that the more imperfect her tree is, the more Mr. Freeman likes it. Melinda finally realizes that she is not perfect and she can be herself and still be
She’s learning how to put expression into her art and make it her own. The image in her mind is changing, becoming something more realistic. The first time she feels good about a tree she draws is when she says, “I sketch a cubist tree with hundreds of skinny rectangles for branches. They look like lockers, boxes, glass shards, lips with triangle brown leaves” (119). This is the moment when Melinda specifically makes references to her own life. The lockers represent the school and the glass shards is foreshadowing to when she tells her attacker no by holding a shard to his neck when he tries to rape her again later in the story. Melinda comes to an understanding that her tree does not have to be normal and perfect. She recognizes that the more imperfect her tree is, the more Mr. Freeman likes it. Melinda finally realizes that she is not perfect and she can be herself and still be