The author states, “Nearly all of the stalls were closed and the greater part of the hall was in darkness” (Joyce 765) to symbolize the darkness of the bazaar to the sad feelings he is beginning to feel towards himself and Mangan’s sister. The darkness also later symbolizes the boy’s vision of love changing from joy and pleasure into confusing and frustration. James Joyce also uses irony for the name of the only shop open, ‘Café Chantant’, to show that the boy should have a splendid time at the shop, like the title would indicate, but ultimately gets let down. When the boy goes over to the only open stall, he expects an amazing gift to present itself to him, but only finds simple vases and tea-sets, this revealing to the boy that there was never any vanity that would have impressed Mangan’s sister enough to win her over. When the young boy finally has his epiphany of adulthood and Mangan’s sister, his incognizance sheds away and he realizes he could not have won her over with simple vanity. When he finally becomes insightful, he realizes that crossing the threshold into adulthood was realizing that adulthood is not childhood promise or adoration, but
The author states, “Nearly all of the stalls were closed and the greater part of the hall was in darkness” (Joyce 765) to symbolize the darkness of the bazaar to the sad feelings he is beginning to feel towards himself and Mangan’s sister. The darkness also later symbolizes the boy’s vision of love changing from joy and pleasure into confusing and frustration. James Joyce also uses irony for the name of the only shop open, ‘Café Chantant’, to show that the boy should have a splendid time at the shop, like the title would indicate, but ultimately gets let down. When the boy goes over to the only open stall, he expects an amazing gift to present itself to him, but only finds simple vases and tea-sets, this revealing to the boy that there was never any vanity that would have impressed Mangan’s sister enough to win her over. When the young boy finally has his epiphany of adulthood and Mangan’s sister, his incognizance sheds away and he realizes he could not have won her over with simple vanity. When he finally becomes insightful, he realizes that crossing the threshold into adulthood was realizing that adulthood is not childhood promise or adoration, but