This is unlike modern artists today, as an artist can paint whatever he or she wants. Brown writes that "Court records suggest that territorial disputes were common, with carvers and painters each jealously guarding (though not always successfully) the exclusive right to practice their craft" (Brown 42). The Bellini family, therefore, was unable to produce anything other than paintings that the state commissioned. Since everything was regulated by the state, guilds in Venice held no political power (Brown 44), and instead they influenced the market through the restriction of members outside of the
This is unlike modern artists today, as an artist can paint whatever he or she wants. Brown writes that "Court records suggest that territorial disputes were common, with carvers and painters each jealously guarding (though not always successfully) the exclusive right to practice their craft" (Brown 42). The Bellini family, therefore, was unable to produce anything other than paintings that the state commissioned. Since everything was regulated by the state, guilds in Venice held no political power (Brown 44), and instead they influenced the market through the restriction of members outside of the